Pavel Kisilev, Daniel Freedman, et al.
ICPR 2012
In order to enable high-level semantics-based video annotation and interpretation, we tackle the problem of automatic decomposition of motion pictures into meaningful story units, namely scenes. Since a scene is a complicated and subjective concept, we first propose guidelines from film production to determine when a scene change occurs in film. We examine different rules and conventions followed as part of Film Grammar to guide and shape our algorithmic solution for determining a scene boundary. Two different techniques are proposed as new solutions in this paper. Our experimental results on 10 full-length movies show that our technique based on shot sequence coherence performs well and reasonably better than the color edges-based approach. © 2002 IEEE.
Pavel Kisilev, Daniel Freedman, et al.
ICPR 2012
Sudeep Sarkar, Kim L. Boyer
Computer Vision and Image Understanding
Michelle X. Zhou, Fei Wang, et al.
ICMEW 2013
James E. Gentile, Nalini Ratha, et al.
BTAS 2009